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阿沙（Ondas Besikbasov 饰）由海军退役后回到草原，寄住在姐姐一家的帐篷里，姐夫将他介绍给附近最后一位待嫁的姑娘图潘，阿沙只顾将海上的见闻在对方二老面前聊得性起，岂料帷幕后的姑娘嫌他耳大。姐夫对阿沙相亲失败大感懊恼，羊群中的母羊频频难产，无法成家的阿沙却一时不能担负牧人的职责。难耐姐夫冷脸的阿沙再次登门求亲，虽然又被拒绝，但阿沙从门缝偷窥图潘以后，真的爱上了这位姑娘。 草原上的生活艰辛寂寞，收音机广播内的消息和好友托尼经常扮演着外界的诱惑。牧民迁徙的时节快要到了，阿沙与姐夫大吵后愤而出走，但他却被一只难产的母羊阻住了…… 本片获2008年戛纳电影节“一种关注”单元奖，东京电影节金麒麟奖。©豆瓣

　　年轻的母亲（Michelle Williams 饰）和拆弹专家的丈夫、4岁的儿子（Sidney Johnston 饰）幸福生活在一起，但一场灾难摧毁了这个小家庭。父亲在和儿子现场观看阿森纳足球的比赛时，球场遭到恐怖袭击，发生剧烈爆炸，而年轻的母亲目睹了这一切。　　和她有过一夜之情报社记者加斯帕•布莱克（Ewan McGregor 饰）潜心寻找当天的线索，终于在录像中发现了爆炸的制造者，同时也得知这起事件早已为政府预知。年轻母亲按加斯帕提供的资料找到恐怖分子的遗孀和儿子，她在男孩身上得到了心灵的慰籍。　　真相总然残酷，而生活仍在继续。是继续活在回忆中，还是勇敢面对未来……

　模特西尔维娅·奥尼尔（乔亚·斯科拉饰）和她的同事劳伦、米歇尔和莱斯利（兰迪·英格曼、赫拉娜·耶酥和诺拉·阿里芬饰）正在与可疑的经纪公司老板亚历克斯·康蒂签约。当与导演大卫拍摄广告时，富商里兹意识到了她们。他勒索亚历克斯，让他去引诱西尔维娅去他家参加一个假聚会，最终里兹强奸了她……　　第二天早上，西尔维娅烧焦的尸体在一场车祸中被发现，对布兰达尼局长来说，如果不是因为她头上的弹孔的话，起码一开始这看起来像是一场意外。　　导演大卫，目前正在拍摄一个音乐视频，他遇到了美丽的美国人梅兰妮罗伯茨（弗罗伦丝格林 饰），以替代西尔维亚的工作。但随后凶杀案开始了，利用专门为音乐视频制作的凶杀工具，它似乎想对西尔维亚的死进行蒙面的未知报复。

For Le Genou d'Artemide Jean-Marie Straub once again chose a dialogue by Cesare Pavese. And not just any dialogue, but one that tears open a painful, mystical abyss between love and the one left behind. The film is one single exhilaration and one single rush, a spell and dispersion into nature. It rises from a dark screen and chant to disappear in the woods with the whisper of the wind. It has little to do with what is generally called «cinema». It has one foot in the world beyond. Nature has ten million times the imagination of the most imaginative of artists. (Jean-Marie Straub)

　　一位不断追求着自我完善的年轻女子去寻求了一位著名催眠治疗师的帮助。但是，在经历了几次紧张的治疗后，她发现自己似乎陷入了可怕的死亡境遇中...

　　伯格曼岛讲述了一对美国电影制作人克里斯（维克·克里普斯饰）和托尼（蒂姆·罗斯饰）的故事，他们在夏天来到神秘的法罗岛。在伯格曼居住和拍摄他最著名作品的这片荒野、惊险的风景中，希望为即将上映的电影找到灵感。随着分开度过的日子一天天过去，克里斯对这个岛屿的迷恋开始了，她初恋的纪念品再次浮出水面。现实和虚构之间的界限将逐渐模糊，使这对夫妇更加分离。

大卫·卢里（约翰·马尔科维奇 John Malkovich 饰）在开普敦一所大学持教，然而年过五旬的他却因诱骗并与女学生发生关系而被学校惩处。在学校组织的听证会上，大卫对校方的指控供认不讳，却没有半丝悔改之意。被迫辞职的大卫来到山区小镇女儿露西（杰西卡·海恩斯 Jessica Haines 饰）的农场，却意外遭遇入室抢劫以及三个歹徒对女儿实施强奸，大卫因自己的无能为力感到十分自责，可是女儿对这件事情的冷处理态度则让大卫大动肝火，加之女儿对黑人邻居的一再让步则让他更为不解。大卫感觉到羞耻，他感觉自己就像狗一样活着…… 该片改编自同名诺贝尔文学奖获奖小说，并于2008年获得中东电影节最佳影片奖以及多伦多电影节的国际影评人联盟奖。©豆瓣

Filmed live on stage at the Pantages Theatre in Hollywood, CA, this not-to-be-missed high energy show stars Original Broadway cast members Jeremy Jordan as "Jack Kelly," Kara Lindsay as "Katherine," Ben Fankhauser as "Davey" and Andrew Keenan-Bolger as "Crutchie". They're joined by North American Tour stars Steve Blanchard as "Joseph Pulitzer," and Aisha de Haas as "Medda Larkin," and Ethan Steiner as "Les" along with members of both the Broadway and North American Tour ensembles, filling the stage with more "newsies" and more dancing than ever before. Set in New York City at the turn of the century and based on a true story, Newsies is the rousing tale of Jack Kelly, a charismatic newsboy and leader of a ragged band of teenaged 'newsies,' who dreams only of a better life far from the hardship of the streets. But when publishing titans Joseph Pulitzer and William Randolph Hearst raise distribution prices at the newsboys' expense, Jack finds a cause to fight for and rallies newsies from across the city to strike and take a stand for what's right.

洋葱电视台以新闻播报准确及时而著称，同时还制作许多专题采访节目，比如采访动作明星“击蛋侠”（史蒂文•西格 Steven Seagal 饰）和清纯流行偶像歌手梅丽莎•雪莉（莎拉•迈克埃利戈特 Sarah McElligott 饰）等。随着美国的全球性文化输出，就连在中东恐怖分子集训营受训的恐怖分子也偷看洋葱电视台的节目。电视台的新闻主播诺姆•阿彻（莱恩•卡利欧 Len Cariou 饰）反对高层与大公司合营的决定，尤其对新闻播报时插播玩具企鹅的广告不满。忍无可忍的诺姆决定在某次直播过程中宣布自己深思熟虑的宣言，但就在开口之际，洋葱电视台突遭恐怖分子袭击，诺姆被挟持，事态严峻。©豆瓣

故事发生在巴黎阿拉伯人和犹太人聚居区，那里有许多妓院。上了年纪、体弱多病的犹太妇女罗莎，负责照顾一群妓女所生的孩子，而她自己过去也曾当过妓女，并在纳粹集中营度过一段可怕的时光。影片主要表现罗莎夫人与她所照顾的一个阿拉伯男孩令人感动的关系。

In 1954 Vietnam, at the time of Diên Biên Phu, a French unit on patrol under the command of an inexperienced lieutenant is gradually depleted by Vietminh until only an ex-Wehrmacht Alsatian adjutant remains. He is to die, a title informs us, in Algeria in 1960. Semi-documentary in style, this is an effectively low-key appraisal of the difficult choices with which war confronts its soldiers. As so often in Vietnam films the enemy is only glimpsed from a distance, the camera remaining a disembodied observer among the group. Bertrand Tavernier acted as co-writer on the film.

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. SHIMON@lounge.moviecodec.com

A Parisian museum director believes his wife has lost interest in him and so places a poisoned cigarette in the box on his desk - thus allowing chance to decide the moment of his death.

“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.                                                                    The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.                                                                    As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.                                                                    “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.

一部尽情挥霍青春的卡通化喜剧，没有太完整的故事情节，但气氛轻松活泼，不乏年轻人互相逗弄的视觉笑料。加上海滩上穿梭不停的比基尼胴体，作为消暑娱乐是不错的。剧情描述高中生约翰．丘萨克跟一群疯疯癫癫的同学到新英格兰的海岛上渡暑假，碰到了美丽的大学女生黛咪摩儿，不禁情窦初开，闹得昏头转向。本片是导演萨维奇．史蒂夫．霍兰率原班人马继《Better off dead...》之后拍摄的续集，仍维持YA电影的可爱活力。

　　克尤莎几乎不记得她的父亲：他在她还小的时候失踪了。10年后的今天，他冰冷的尸体在山中被发现。令人难以置信的是，尽管他处于昏迷状态，但他仍显示出生命迹象。在这种状态下，他被带回家。克尤莎的母亲很久以前再婚了，前主人的回归破坏了家庭的平静生活：房子里开始发生令人费解的可怕事情，带来致命的威胁，克尤莎的母亲的行为越来越奇怪…… 女孩开始怀疑，和她父亲一起，某种超自然的、冰冷的、无生命的东西来到了他们家。现在克尤莎和她的继父必须保护这个家庭不受恶魔的伤害。

除夕夜的酒吧中，潦倒的剧作家埃里克使尽百宝挽回前女友却惨遭失败，与此同时，漂亮聪明的时髦女子艾尔莎却被条件一般的男朋友用老套的办法甩掉了。三年后埃里克凭借其创作的喜剧浪漫电影《摩登爱情》获得成功，赢得了一位美貌的年轻姑娘的青睐，某日与已婚的前女友重逢，双方都开始心猿意马。在爱情中摸爬滚打的艾尔莎终于碰到了她的梦中情人。现实中的男女主角是否能收获像电影中那样美妙的爱情呢？

哥哥是劣迹斑斑的江洋大盗，弟弟是布道传教的教士，然而阴差阳错下，两人互换了身份，由此各自踏上新的旅程。天使与魔鬼的组合演绎出一段啼笑皆非的故事。

　　A rising political star faces scandal and blackmail when the young woman he tries to help turns out to be a juvenile delinquent

　　哥德，太平间的驼背者，由于驼背和丑陋的外表，经常被人取笑，而他去一直爱着病重的女孩，伊尔丝，当伊尔丝死后，愤怒的他杀了那些取笑他，亵渎伊尔丝的美丽的人，并且之后便消失了，而医院的奥尔拉医生却在禁止的情况下仍然做着非法的实验，并且答应帮助哥德重新让伊尔丝重生，究竟还有什么 可怕的事会发生呢？

　　At a fashionable dinner party in Hong Kong a naval officer is coaxed into revealing details of a dream in which eight persons take off from Bangkok in a Dakota bound for Tokyo and crash in the Japanese mountains. Amongst those listening is Air Marshal Hardie who is due to fly to Tokyo the next day. Hardie initially dismisses the dream because he is scheduled to fly out in a Liberator, but as Hardie arrives at the airport he discovers that the Liberator has developed mechanical problems and has been replaced by a Dakota. When, just before the flight is due to depart, two soldiers board the plane making a complement of eight, Hardie fears that the Dream may be coming true and he is destined to die.

　　Adela是一名充满同情心的罪犯辩护人，一直坚信人性本善，罪恶的是社会。然而她最近的辩护被告偷了她的车，在车内找到了她乡村别墅的钥匙并计划了一次盗窃。不幸的是丈夫在这次入室盗窃中意外身亡。这让她陷入理想与现实的纠结痛苦中，殊不知噩梦才刚刚开始……

　　

　　阿兰．德龙主演的这部犯罪动作片，摒弃了一般银行抢劫后分赃不均而终被逮捕的老套情节，把劫宝的场面安排在飞机上进行，结局则是因家族内一次无意揭发的奸情而致西西里部落全被逮捕。影片布局可谓层次分明，有峰回路转之妙。从开幕西西里家族营救囚车中的萨丹开始，便推展出不少戏剧性的高潮，如阿兰．德龙如何外出召妓惹祸；保险公司随员的太太如何发现丈夫不在飞机上而在报警时认出阿兰．德龙；探长如何监视阿兰．德龙的妹妹而使西西里兄弟被捕等，这些设计都能顺里成章而前后呼应。

　　索尼娅（芮妮·齐薇格Renée Zellweger 饰）是一个性格十分开朗，脑袋里装满了古灵精怪的念头的女孩。命运将她和名为门德尔（格伦·菲茨杰拉德 Glenn Fitzgerald 饰）的男人联系到了一起，两人一见钟情，很快携手步入婚姻的殿堂。门德尔是犹太教虔诚的教徒，生活中的一切事物皆遵循上帝的旨意。很快，索尼娅就发现，门德尔需要的只是一个人们传统观念中的“妻子”，而不是她这个有血有肉的人。　　随着时间的推移，索尼娅和门德尔之间的距离越来越远，而一位名为雷蒙（艾伦·佩恩 Allen Payne 饰）的首饰店店员走近了索尼娅的身边，两人不可避免的坠入了爱河。

　　该片被公认为英国电影的巅峰佳作之一，在英国电影学院评出的100部最佳英国电影中名列第36。片中汇集了大批当年英国影坛的红人。大盗查理(迈克尔·凯恩)刚出狱就急不及待要大乾一票，准备截劫从中国运到意大利的四百万美元黄金。查理在一名黑道头目资助下，展开了一个天衣无缝的盗金计划，出动了三架库珀豪华车、一队积架车及公车来堵塞交通。片中一幕宝马库珀豪华车(MINI Cooper)在好莱坞名人大道上疯狂地追逐，穿过地铁隧道入口，沿着只有迷你汽车才能行驶的狭窄小路狂奔，被认为是影史上经典飙车追逐场面，让观众体验到前所未有的紧张刺激......

　　斯鲁波夫是列宁建立的苏俄秘密警察“契卡”的成员。他们大肆逮捕知识分子、贵族、犹太人、神职人员以及他们的家人，只用一分钟讯问，十秒钟审判，随即枪杀。在契卡的地下室里，犯人们五人一组，全裸着面朝木门，被集体枪杀。没人记录他们的遗言，没有目击者，只有无名的尸体。日复一日，非法的审判，处决和尸体装车像流水线一样运行着。斯鲁波夫是一个冷酷无情的性变态，却也是一个深邃的思考者，他痛恨自己过去的朋友和家庭。当他试图探究革命的目的和契卡存在的意义时，他走向了崩溃。

　　2013年，世界政府全面废除死刑，监狱挤满了暴力与逃亡者之时，国际团体打造一个新实验称作"冰魔岛"，一个位在北冰洋的偏僻小岛。在这里，所有的囚犯都是居民，没有警卫看守，犯人们必须学习生存三个月… 所有的犯人开始焦躁不安并起了纠纷，他们分成不同派系互相仇敌，在管理员丢下钥匙离开後，整座岛上无人看守，犯人们为了争夺食物大开杀戒，每个派系的囚犯建造了属於他们自己的监狱规则，在管辖范围里反抗者就是死！ 伊凡乔吉维奇 - 是个杀了二十个人的连续杀人犯，他决定自行开创他们的路，但是当冬天来临，他发现他们无法活著回去，最後似乎只有一个方法可行.......

　　男青年威尔（马特•兰特尔 Matt Lanter 饰）从一场诸多电影情节和明星串联而成的噩梦中惊醒，发现这天正是他梦中显示的世界末日——2008年8月29日。威尔不能确定与女友艾米（凡妮莎•米尼洛 Vanessa Minnillo 饰）的关系，后者愤而离去。为了弥补遗憾，已经25岁的威尔为自己举办甜蜜16岁的生日派对，这场疯狂派对变成了一场无尽恶搞电影的狂欢，所谓乐极生悲，狂欢中的人们突然发现城市已经陷入地动山摇陨石坠落的大灾难之中，混乱中威尔和艾米失散了，为了找回真爱，威尔偕同加尔文与女友、怀孕的朱妮踏上了前往博物馆解救艾米的旅程，一路上绿巨人、钢铁侠等英雄纷纷被灾难击溃，威尔一伙儿也连续击败欲望都市女郎、魔法奇缘王子等人，在这场无厘头电影中向博物馆前进。