Lu
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让-马里·斯特劳布
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转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end of paradise on earth.”—Jean-Marie Straub The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne. “O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty. In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD. So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone. During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema. The mise en scène of what words exactly? The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye. Is “Straubie” Greece? This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
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艾尔伯特·休斯,艾伦·休斯
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影片开头两位黑人到韩国人开的杂货店买东西,本来好好的,但是两个韩国夫妇从头到尾把他们当贼看,为此发生一点口角,他们就开枪打死了店里的工作人员,之后他们就踏上了不归路了...... 影片导演是黑人休斯兄弟。尽管他们还比不上影坛的另外几对兄弟帮科恩、沃卓斯基、法拉里有名,但是他们的两部低成本电影《威胁2:社会》(Menace2:Society)、《死亡总统》(Dead Presidents)都取得了不错的反响。作为黑人,能够打进电影制作圈在好莱坞也十分不易,而他们正是擅长于展现美国黑人绝望阴郁的生存环境。
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托马斯·伯祖查
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影片改编自朱尔斯·贝斯的小说《猎头族》。 三个年轻女孩Grace (赛琳娜·戈麦斯 Selena Gomez 饰), Emma 凯蒂·卡西迪 Katie Cassidy 饰) 和 Meg (莉顿·梅斯特 Leighton Meester 饰) 决定用她们攒下的钱踏上梦想中的巴黎之旅,却发现旅行完全变成了灾难。当她们决定从他们糟糕的游览中休息一下,进入了一家5星级酒店大堂时,Grace却被误认为是一位叫Cordelia的富有英国继承人。Grace便将计就计,假扮成Cordelia好让大家体验到她们应得的梦想中的假期,但事情并没有按计划进行,Grace喜欢上了一个叫Theo(皮埃尔·布朗格 Pierre Boulanger 饰)的法国男孩。Theo爱上了作为Cordelia的Grace,完全不知道Grace是个骗子。当真正的Cordelia到达酒店时,女孩子们该如何搞定这场意外呢?
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杰米 布兰克斯 (Jamie Blanks)
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美国新英格兰地区的普德顿大学流传着一个名为“斯坦利堂大屠杀”的恐怖传奇,话说25年前,一名异常心理学教授在斯坦利堂大开杀戒随后自杀,这起血腥惨案至今在学生中间广为流传。适值此时,校园内发生一连串的凶杀案。校报记者保罗·加德纳(杰拉德·莱托 Jared Leto 饰)坚信凶手就隐藏在校园内,他的朋友之一娜塔莎·西蒙(艾丽西亚·维特Alicia Witt 饰)更将此事与斯坦礼堂大屠杀联系起来。他们二人携手调查此事,在这一过程中,他们的朋友借二连三遇难。娜塔莎吃惊地意识到,她和保罗已经进入凶手设下的狩猎陷阱之中。 越逼近真相,危险便离他们越近……
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潘妮·马歇尔
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本片根据纽约市的英籍神经医师奥利佛·萨克斯(Oliver Sacks)的同名回忆录改编。1969年,羞怯内向但对实验充满热忱的脑科医生马尔科姆·塞尔(罗宾·威廉姆斯 Robin Williams 饰)来到纽约市布朗克斯区一家医院,对院内的强直性昏厥证患者进行治疗。在护士埃莉诺(朱莉·卡夫娜 Julie Kavner 饰)的帮助和鼓励下,塞尔医生对病人大胆用药,使一群昏厥几十年的患者重获新生,尤其对患者伦纳德·洛(罗伯特·德尼罗 Robert De Niro)效果尤为明显。但令人意外的是,患者们在苏醒后不久,又纷纷出现了病情恶化的趋势…… 本片获奥斯卡最佳影片、最佳男主角(罗伯特·德尼罗)和最佳改编剧本奖提名,并获金球奖剧情类影片最佳男主角提名(罗宾·威廉姆斯)。
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Don Siegel
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Two detectives are investigating a robbery in which $300,000 was taken. Their investigation leads them to the main player and they find the cash, but one of them has meanwhile fallen hard for a woman with expensive tastes, and though he desperately wants to keep her, he knows that a cop's salary isn't going to be enough for her.
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让-克洛德·布里索
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孤儿塞琳娜(伊莎贝尔·帕斯科饰)继承了她养父的大部分遗产,每天都要承受着她昔日继母的强烈不满。为了求得安宁,她放弃了所继承遗产的一部分,因此,骗色骗财的男友离开了她。于是,塞琳娜感到被遗弃而生活孤单,人生毫无价值。塞琳娜迈上了自杀之路。被救起后,护士热娜维耶芙(莉莎·埃雷迪亚饰)打破各种工作常规,介入到塞琳娜的生活中,积极劝说塞琳娜加入到她的瑜伽教学里来,意图通过瑜伽练习恢复塞琳娜的稳定,使其尽快脱离抑郁症的侵扰。尽管热娜维耶芙发现这对塞琳娜有明显的效果,而塞琳娜的神秘体验也微微触动了灵魂上感情的复苏,但不知为什么,热娜维耶芙的愿望并未实现......
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朗·霍华德
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在遥远的松饼山上,有一个胡谷镇,镇民们最爱的圣诞节眼看就要到了,镇上张灯结彩,喜气洋洋,每个人都沉浸在筹备圣诞节的快乐中。然而,在胡谷镇以北的一个垃圾山上,住着一个人人都害怕的“怪物”——格林奇(金·凯瑞 Jim Carrey 饰)。他深居简出,只跟一条狗过活;他心胸狭窄,心脏只有正常人的四分之一大;他讨厌胡谷镇,更讨厌圣诞节。经常捉弄镇民的他,在一次大闹胡谷镇中,认识了小女孩辛蒂(泰勒·摩森 Taylor Momsen 饰)。 今年的圣诞节正好是胡谷镇建镇一千年纪念,家家户户都在准备迎接这场圣诞盛宴。辛蒂邀请格林奇到镇上参加派对,但是一个误会使格林奇愤怒离开。他决定要报复镇民,在圣诞节那天,他带上他的狗麦克斯,乔装成圣诞老人和驯鹿的样子,悄悄地潜入胡谷镇……
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保罗·巴特尔 Paul Bartel
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When Cheryl and her roommate quarrel, Cheryl moves into her aunt's skid-row hotel in downtown L.A. rather than return home to Ohio. The lodgers are odd, Aunt Martha is a moralizer obsessed with funerals, murder is afoot, and the inexperienced and trusting Cheryl may be the next victim. She wants to be treated like a woman, and she's drawn to George, a handsome photographer who longs for human contact but sleeps with a water-inflated doll and spies on Cheryl as she bathes. Jeff, a neighborhood clerk, may be Cheryl's only ally in what she doesn't realize is a perilous residence haunted by family secrets. And, what happened to Alice, a model who used to have Cheryl's room?@www.zhuihd.com
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凯文·康纳
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In 1840, a samurai comes home to find his wife in bed with another man, so he kills them both and then himself. Flash-forward to the present day, and an American family of three moves into this since-abandoned house and starts to experience incidents of haunting and possession.
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William Lustig,Joel Soisson
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A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac cop returns from the dead once more to seek revenge, destroying everthing and anyone that stands in his way.
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德里克·斯安弗朗斯
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《蓝色情人节》在分级上经历了一波三折,最终被定为R级。 Dean(瑞恩·高斯林 Ryan Gosling 饰)和Cindy(米歇尔·威廉姆斯 Michelle Williams 饰)在朝夕相处了六个年头之后,他们的婚姻出现了问题。两人想借情人节之际修补彼此的关系, 特意将女儿留在外公家。他们还特意找了一家情人酒店,想找点新的“兴奋点”来刺激自己的爱情。可两人就对未来的生活态度发生了争执,感情不但没有修复反而愈吵愈烈。Dean安逸于有妻女的平淡生活,但Cindy却希望开创属于自己的事业。随着两人的分歧不断升温,那些以往美好婚姻生活中的幸福的片段如今却变成了令人难堪和苦恼的回忆。是否一段感情必须要经历“七年之痒”的磨练?这两个曾经相爱的彼此,曾经甜蜜的婚姻,否则最终会走向支离破碎?






























